Sarah Ng 吳秀華
Sex：Female 女
Nationality：UK 英國
Period for Grants：4個月
CCS Grant
2012/9~2012/12
Instituion：History of Art Department, Oxford University, U.K英國牛津大學藝術史研究所
Topic：Rethinking the Calligraphy Canon: Rubbing Collections in Ming China明代法帖研究
Present
Instituion：Academy of Visual Arts, Hong Kong Baptist University, Hong Kong
香港浸會大學視覺藝術學院
Homepage：Sarah Ng
Sarah Ng
Work catalog
- Sarah S.W. Ng (author and ed.), Nature in its harmonious forms (UMAG, HKU, 2016)
Article catalog
- Ng, Sau Wah. 2006. " Recent studies on a significant calligraphy compendium: The Chunhua ge tie (AD992) and Exhibition Review, published in New Asia Monthly "
- Ng, Sau Wah. 2007. " A Study on the Double Beauty II: Qing Dynasty Couplets form the Lechangzai Xuan Collection, published in an art magazine Auction and Collector "
- Ng, Sau Wah. 2009. “A Study of the Impact of the Chunhua ge tie on the Style of Ming’s Calligraphy” in the Conference Proceedings
- Ng, Sau Wah. 2009. A Study on the School of Lingnan and Guohua hui, in Ningnan School Conference Proceedings, Guangzhou, China
- ‘Calligraphy in Early Modern China’, in Haruhiko Fujita (ed.), Volume I: Design in East Asia, The Encyclopedia of Asian Design (Osaka University, Japan, 2017)
- ‘From Expressionism to Hyperrealism: Chen Xi’s So We Remember’, Christopher Mattison (ed.), Chen Xi: Be memorizedSeries (UMAG, HKU, 2016), pp.18-25.
- Sarah S.W. Ng (author and ed.), Nature in its harmonious forms (UMAG, HKU, 2016)
- ‘Creating Her Own Truth on Canvas – Being-there with Chen Shuxia’, Being-There (Hebei, 2015), pp.15-33.
- ‘The Reception of Rubbing Collections in Ming China’, Shigetoshi Osano (ed.), Between East and West: Reproduction in Art (IRSA Publishing House, 2014), pp.313-318.
- ‘Art in Time: Chinese Contemporary Ink Painting,’ Silent Poetry: Chinese Contemporary Ink (Hong Kong, 2015), pp.15-29.
- ‘Contemporary Art by Hong Kong Artists in the Cross-strait Four-regions: Conforming to Vicinity,’ in Museum column, A.M. Post (Nov./Dec..2014), pp.18-21.
- ‘Exhibition Review: Conforming to Vicinity: A Cross-Strait Four-Region Artistic Exchange Project 2014,’ A.M. Post (Jan./Feb..2015)
- Contemporary Art in the Four Regions through the Lens of Art History: A Study of Conforming to Vicinity Exhibition (從藝術史角度看兩岸四地的當代藝術：「因地制宜」展, bilingual), in Symposium Proceeding of Conforming And Confronting: Arts Around The Cross-Strait Four-Regions (Nov. 2014)
- A Perfect Ending for Conforming to Vicinity Exhibition (「因地制宜」的完美結局, bilingual), in Cross-strait Four-region Artistic Exchange Project 2014 Hong Kong Exhibition Catalogue (Nov., 2014)
- Sarah Ng (ed.), Conforming & Confronting: Academic Conference Proceeding (UMAG, HKU, Nov. 2014)
- ‘New perspectives in understanding the art of calligraphy in China’, in Michelle Huang (ed.), Beyond Boundaries: East & West Cross-Cultural Encounters. (UK, Cambridge Scholars Publishing, Jan.2012)
- ‘Literacies in the humanities: The student voice. Higher Education Research and Development’, in Higher Education Research & Development (Co-author: Prof. Carmel McNaught) (Sydney, Aug. 2011) Publisher: Research and Development Society of Higher Education