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外籍學人基本資料
Naoki Watanabe 渡邊直紀
性別 Sex:男 Male
國籍 Nationality:日本 Japan
獎助期間 Period for Grants:1個月

漢學研究中心獎助學人

研究期間:2019/2~2019/2

研究機構:Musashi University日本武藏大學

職稱:教授

研究主題:Comparative Research on Proletarian Literature in Colonial Taiwan and Colonial Korea: in relation to Hometown Literature Controversy(鄕土文學論爭) and Art Popularization Controversy(藝術大衆化論爭) in 1930s’殖民地時期台灣和韓國的無產階級文學運動比較 – 以1930年代鄉土文學論爭與藝術大眾化論為中心

現職

研究機構:Musashi University

日本武藏大學

職稱:教授

個人網頁:武藏大學人文學部

著作目錄(專書) Work catalog
  • 戦争する臣民、植民地の国民文化 ―植民地末朝鮮の言説と表象
著作目錄(文章) Article catalog
  • “The Possibility of Comparat ive Studies between North / Seoul Korean Literature in Divided Era and After-war Japanese Literature”[Bundan Shidae Nambukhan Munhakkwa Jeonhu Ilbon Munhakwi Pigyo Kanungseong], Nambukhan Hyeondae Munhaksa, Choi Dong-ho ed., Nanam, 1995.8, pp.85-104.
  • A Study on Art Popularizat ion Movement of KAPF Literature: comparat ive study with NAPF [KAPF Munhakwi Daejunghwa Yeongu: NAPF Daejunghwarongwawi Pigyoleul T’onghaeseo], Master Thesis, Dongguk University, 1996.2.
  • “Lee Beom-seon and Crit icism for Real Polit ics”[Yi Beom-seongwa Hyeonshil Inshik Pip’an], Hanguk Munhak Yeongu, no.21, Dongguk University, 1999. 11, pp.99-120. / Hanguk Jeonhu Munhak Yeongu, Dongguk University Korean Literature Inst itute ed., Ihwe Publishing, 2002. 12, pp.67-91.
  • “’Praying’ in Lee Sang-hwa’s poems”[Yi Sanghwa no Shi ni okeru ‘Inori: Jiga hyoshutsu no hensen ni okeru renzoku to danzoku’], Hallym Ilbonhak Yeongu, no.4, Hallym University Inst itute of Japanese Studies ed., 1999. 11, pp.122-134.
  • “Re-thinking Lim Hwa’s ‘Methodology for History of Korean Modern Literature’”[Im Hwa - 4 - ‘Shin Bungakushi no Houhou’ Saikou], Otani Morishige Sensei Koki Kinen Ronbunshu, Kankou Iinkai ed., Hakuteisha Publishing, 2002. 3, pp.246-259.
  • “Pro-Japanese Thought and Ant i-Japanese Thought in Colonial Korea”[Shinnich Shiso to Hannichi Shiso] etc., Shiso Dokuhon Kankoku, Kawamura Minato ed., Sakuhinsha Publishing, 2002.5., pp.75-79, 88-91, 145-148, 152-154, 157-159.
  • “Korea, Kwangju, and Literature: especially about Kim Jiha, Lee Cheongjun, and Lim Cheolu”, Japanese version in Honam Munhwa Yeongu, no.30, Jeonnam University Honam Munhwa Inst itute, 2002. 6, pp.21-41., and Korean version in Munhak Jiri: Hanguginui Shimsang Konggang, Kim Taejun ed., Nonhyeong Publishing, 2005.6., pp.378-393.
  • “’Ethnic Reforming’ and ’Free Love’ in Lee Gwangsu’s early thought: as a genealogy of social evolut ionism in early modern Korea”[Ri kousyu no shoki shiso ni okeru ‘minzoku kaizo’ to ’jiyu ren’ai’: kindai chosen ni okeru shakai shinkaron teki shiso no ichi myakuraku], Hallym Ilbonhak Yeongu, no.7, Hallym University Inst itute of Japanese Studies ed., 2002. 12, pp.6-23.
  • “What is ’Korean Literature’?: especially about Lim Hwa’s thought in late 1930’s”[‘Choseon Munhak’iran Mueoshinga?: 1930 neondae hubanue Lim Hwaue kyeonhaeleul jungshimuro], Junghan Inmunkwahak Yeongu, no.9, Junghan Inmunkwahak Yeonguhwe, 2002. 12, pp.111-133.
  • “On Nakanishi Inosuke’s Korea-related f ict ions: especially about the relat ionship between language usage and characters”[Nakanishi Inosuke no Chosen kanren no shosetsu nit suite: tokuni hyoki gengo to jinbutsu no enkin kankei wo chushin ni], Japanese version in Ilbonhak, no. 22, Dongguk University Inst itute for Japan Studies, 2004. 3, pp.235-267, Korean version in Ilbon Munhage natananun Hanguk Choseonin Sang, Kim Tae-jun ed., Dongguk U.P., 2004.6, pp.249-285.
  • “Classical book library project in modern Korea: especially about Choi Namseon’s Choseon Kwangmunhwe, Shinmungwan and Korean Classical Studies by Japanese scholars”[Kindai Chosen ni okeru Koten seiri jigyo ni tsuite: Choi Namseon no Chosen Kobunkai, Shinbunkan to Nijinjin no Chosen Kosyo kenkyu wo chushin ni], Musashi Daigaku Sogo Kenkyujo Kiyo, no.13, Musashi Daigaku Sogo Kenkyujo, 2004.3, pp.29-42.
  • “On Lim Hwa’s Crit icism for Korean Language”[Lim Hwaui Eoneo ron], Kugukukmunhak no.138, Kugokukmunhakwe, 2005.1, pp.433-460.
  • “How to read Matsumoto Seicho’s ‘A Poet went to the North’”[‘Kita no Shijin’ no yomarekata], Gendai Shiso 2005.3, Seidosha Publishing, pp.130-139.
  • “Polit ics of the Uncanny: about Image of Korean people in early literature by Korean resident in Japan”[Bukimisa no Seijigaku: Sosoki no Zainichi Chosenjin Bungaku ni mirareru Chosenjin zo ni tsuite], Comparat ive Korean Studies, vol.13 no.2, The Internat ional Associat ion of Comparat ive Korean Studies, 2005.12, pp.19-43.
  • “Life wandering between fear of relat ionships: about Lee Yangji(1955-92)’s f ict ions”[Kwangyeoi Pulan Sogeseo Hemaenun Salm: Lee Yangji (1955-92) soseolue sagye], Ilbon Yeongu, no.6, Korea University Center for Japanese Studies, 2006.8, pp.259-281.
  • “Focus for Korean Literature: 2004-2005”[Kankoku ni okeru Bungaku no jokyo: 2004-2005], Kanryu Subculture to Josei, Mizuta Muneko ed., Shibundo Publishing, 2006.9, pp.234-247.
  • “On lyricism of Lim Hwa’s Poems”[Lim Hwa no Shi sakuhin ni okeru jojousei no isou ni tsuite], Chosen Gakuho, no.201, Chosen Gakkai, 2006. 10, pp.127-164.
  • “Proletarian Agrarian Literature in Colonial Korea and ‘Manchuria’: ‘collaborat ive’ narrat ive and ‘re-invented agrarianism’”, Korean version in Hanguk Munhak Yeongu, no.33, Dongguk University Korean Literature Inst itute, 2007.12, pp.7-51, Japanese version in Ilbonhakbo, - 5 - vol.74, no.2, Hanguk Ilbonhakhwe, 2008.2, pp.205-226.
  • “Annotated bibliography for Study and Educat ion of Korean Literature in Japan”[Kankoku Chosen bungaku Kenkyu Kyoiku no tameno bunken kaidai], in Kankokugo Kyoikuron Kouza, no.4, Noma Hideki ed., Kuroshio Syuppan Publishing, 2008.1, pp.535-556.
  • “Korean Language”[Kankoku Chosengo tte donna kotoba?], in Tagengo tabunka gakushu no susume, Nishimura Junko ed., Asahi Shuppansha publishing, 2008. 4, pp.57-61.
  • “On Chang Hyeokju’s f ict ion ‘Reclamat ion’(1943)”[Chokakuchu no chohen shosetsu ‘Kaikon’(1943) ni tsuite], Hanguk Munhakui Yeongu, no.36, pp.111-142.
  • “Exist ing condit ions and problems in Korean Literature educat ion in Japan”[Ilbone isseoseo Hanguk Munhak Kyoyuge Hyeonhwangwa Kwaje] in Korean Literature in the World: present and future, LTI Korea, 2008. 12, pp.261-298.
  • “’Manchurian’ Discourse in Colonial Korea and the Polit ical Unconscious: especially on Lim Hwa’s argument in early 1940’s”[Shikminji Choseone isseoseo ‘Manju’ tamrongwa Jeongchijeok Muishik: Mun’ye Pyeongnonga Lim Hwae 1940 neondae jeonbane nonuileul jungshimuro], Chindan Hakbo, no.107, 2009. 6, pp.277-297.
  • “Yi Kwangsu and “New Era(Shinjidai/Shinshidae)””, Syokuminchi bunka kenkyu, no.10, 2011.7, pp.46-61.
  • “The Colonial and Transnat ional Product ion of Suicide Squad at the Watchtower and Love and the Vow”, Cross-Currents: East Asian History and Culture Review, Vol.2, No.1, 2013.5, RIKS Korea Univ. & IEAS UC Berkeley, University of Hawai’i Press, pp.89-115.
  • "Harbin Representat ion in Man'ei Film: on Li Xianglan/Ri Kōran's My Night ingale (1943)" [Man’yŏng Yonghwa e Harbin Pyosang: Yi Hyangnan juyŏn [Na e Kkwekkori](1943) ron], Jeonjaeng kwa Kukjang, Lee Sang-woo ed., Somyeong Chulpan, 2015.8, pp.527-576.
  • “The Film and the Polit ics in Li Xiangran” [Ri Kōran ni okeru Eiga to Seiji], Nihon Kenkyū 24, Korea University, Global Inst itute for Japanese Studies, 2015.8, pp.137-155.
  • “Colonizat ion, Liberat ion, and Devided Peninsula: Modernity in Korean Literature” [Shokuminchika, Kaihō, Nanboku Bundan: Kankoku Chōsen Bungaku no Kindai], “Globalizat ion, Post-Democrat izat ion and Korean Literature: the future of Realism” [Gurōbaruka, Posuto Minshuka to Kankoku Bungaku: Riarizumu no Yukue], in Miyashita & Ono ed., Introduct ion to World Literature [Sekai Bungaku eno Shōtai], Hosodaigaku Shuppan Kyokai, 2016.3, pp.189-203 & pp.204-218.
  • “On Japan-Korea Collaborat ion Film during Asian-Pacif ic War: ‘Suicide Squad at the Watchtower’(1943) and ‘Love and Vow’(1945)” [Taiheiyō Sensō-ki no Nicchō Gassaku Eiga ni tsuite: Imai Tadashi, Che Ingyu no ‘Borō no Kesshitai’(1943), ‘Ai to Chikai’(1945) o chūshin-ni], Musashi Daigaku Jinbungakkai Zasshi, 48(1), Musashi Daigaku Jinbungakkai, 2016.11, pp.141-167.
  • “On the Recept ion of Li Xiangran’s Film in Colonial Korea and Taiwan” [Ri kōran Eiga no Shokuminchi Chōsen, Taiwan ni okeru Juyō], Musashi Daigaku Jinbungakkai Zasshi, 48(2), Musashi Daigaku Jinbungakkai, 2017.3, pp.79-101.
  • "Harbin Representat ion in Man'ei Film: on Li Xianglan/Ri Kōran's My Night ingale (1943)" [Man’ei Eiga no Harbin Hyōshō: Ri Kōran shuen [Watashi no Uguisu](1943) ron], Musashi Daigaku Jinbungakkai Zasshi, 49(1), Musashi Daigaku Jinbungakkai, 2017.12, pp.211-250. (in Japanese)
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