Cuncun Wu 吳存存
性別 Sex：女 Female
國籍 Nationality：澳大利亞 Australia
獎助期間 Period for Grants：3個月
漢學研究中心獎助學人
研究期間：2007/1~2007/2
研究機構：School of Languages, Cultures and Linguistics, University of New England, Australia澳洲新英格蘭大學語言、文化和語言學院
職稱：助理教授
研究主題：Flower Guides, Beijing Opera, and Male Homoeroticism in Mid to Late Qing Dynasty Beijing不重美女重美男：清代北京的男風，花譜與梨園
研究專長：京劇乾旦、（清代中後期）中國性別（史）研究
現職
研究機構：School of Chinese, The University of Hong Kong,Hong Kong
香港大學中文學院
職稱：教授
研究專長：明清代中國傳統文學、文化史、性別議題
個人網頁：吳存存
著作目錄(專書) Work catalog
- Wu, C., 2008, 'Issues on the circulation of flower-guides in the Qing period' (Qingdai liyuan huapu liuxing zhuangkuang kaolue), in Chinese Studies (Hanxue yanjiu), Taiwan (in Press), Vol. 26, No. 2
- Wu, C., 2006, 'Prostitution and Theatre in Imperial China', in Encyclopedia of Prostitution and Sex Work, ed. Melissa Hope Ditmore, Greenwood Publishing Group, New York
- Wu, C., 2004, Homoerotic Sensibilities in Late Imperial China, , RoutledgeCurzon, London
- Wu, C., 2000, Ming-Qing shehui xing’ai fengqi (Sex and sensibility in Ming and Qing society), , Renmin Wenxue Chubanshe (Peoples Literature Press), Beijing
- Wu, C.,2013.'Homoerotic Sensibilities in Late Imperial China',London: Routledge.
- Wanton women in late-imperial Chinese literature : models, genres, subversions and traditions / edited by Mark Stevenson and Wu Cuncun.
- Homoeroticism in Imperial China : a sourcebook / edited and translated by Mark Stevenson and Wu Cuncun.
- 2017,《戲外之戲：清中晚期京城的戲園文化與梨園私寓制》(Drama Beyond the Drama: The Private Apartment System and Beijing Theatre Culture, 1790-1911), Hong Kong: Hong Kong University Press.
- 2000, 《明清社會性愛風氣》，北京：人民文學出版社, 294頁.
著作目錄(文章) Article catalog
- Wu, C., 2007, 'Remarkable liaisons among the well-to-do', in IIAS Newsletter, Vol. 44, pp. 27
- Wu, C., 2006, 'Ruanhong chen li zhu xinshu: Xiangxi Yuyin Fengcheng pinhuaji yu wan Qing de ‘huapu’' (New books composed amid the dust of red carpets: Xiangxi Yuyin’s Notes of Flower Appreciation from the Phoenix City and the late Qing ‘flower guides.’), Zhonguo wenhua (Journal of Chinese Culture, ed. Liu Mengxi), Vol. 23, pp. 73-85
- Wu, C., Stevenson, M., 2006, 'Male love lost: the fate of male same-sex prostitution in Beijing in the late nineteenth and early twentieth centuries', in Embodied Modernities: Corporeality, Representation and Chinese Cultures, eds F.Martin and L. Heinrich, Hawaii University Press, Honolulu, pp. 42-59
- Wu, C., Stevenson, M., 2004, 'Quilts and quivers: dis/covering male homoeroticism in late imperial China', in Tamkang Review, Vol. XXXV, No. 1, pp. 119-167
- Wu, C., 2003, 'Beautiful boys made up as beautiful girls ...': elements of anti-mascline taste in Qing dynasty writing and male homosexual sensibilities, Asian Masculinities: The Meaning and Practice of Manhood in China and Japan, ed. Kam Louie, RoutledgeCurzon, London, pp. 19-40
- Wu, C. (translator), Stevenson, M. (translator), 2003, 'Zhaojun's dream' (Xue Dan, Zhaojun meng), in Renditions, No. 59 & 60, pp. 154-180
- Wu, C. (translator), Stevenson, M. (translator), 2002, 'A tale of an infatuated woman' (Furong Zhuren, Chipozi zhuan), in Renditions, No. 58, pp. 47-97
- Wu, C., 2001, 'Wan-Ming shehui nanfeng liuxing zhuangkuan xulue' (An outline of the fashion for homoeroticism in late Ming society), in Zhongguo Wenhua (Chinese Culture), ed. Liu Mengxi, Vol. 17 - 18, pp. 256-269
- Wu, C., 2000, 'Xingbie wenti yu Zhongguo xingshi de yanjiu' (Gender and Chinese sexual history research), in Xingbie shixue (Gendered Poetics), ed. Ye Shuxian, Zhongguo shehui kexue wenxian chubanshe, Beijing, pp. 117-126
- 2016, “Pornographic Modes of Expression and Nascent Chinese Modernity in Late Imperial China”, Modernism/Modernity (The Johns Hopkins University Press), 23 (4), November 2016.
- “The Plebification of Male-Love and the Positioning of Catamites (xiaoguan) in Late-Ming Fiction: The Forgotten Tales of Longyang”, in Kam Louie edit. Changing Chinese Masculinities: from Imperial Pillars of State to Global Real Men, Hong Kong: University of Hong Kong Press, pp. 72-89.
- 2014,《從〈歡喜冤家〉中的通姦故事看晚明城市普通人的價值觀和道德觀念的崛起》,《中國文化》, 第40卷，頁69-79.
- 2014, “Official Life: Homoerotic Self-Representation and Theater in Li Ciming’s Yuemantang Riji”, Frontiers of History in China, Brill, 9 (2): 202-24.
- 2013,《普通人、當代題材與慾望：黃方胤〈陌花軒雜劇〉中的蕩婦形象與晚明戲曲中的現代曙光》，《中國文化》，第38卷，頁128-36。
- 2010, “Speaking of Flowers: Theatre, Public Culture, and Homoerotic Writing in Nineteenth-Century Beijing,” Asian Theatre Journal, 27 (1) (Spring 2010): 100-129. (co-author)
- 2010, “‘It Was I Who Lured the Boy’: Commoner Women, Intimacy and the Sensual Body in the Song Collections of Feng Menglong (1574-1646),” Nan Nü: Men, Women and Gender in China. 12(2): 311-343.
- 2008,《‘舊染污俗，允宜鹹與維新’：二十世紀初關於‘私寓’與‘倡優並提’的討論與中國性史的西化”》，《中國文化》, 第28卷，頁98-111.
- 2008,《清代梨園花譜流行狀况考略》，《漢學研究》第26卷(2)，頁163-184.