Margaret Hillenbrand 何依霖
性別 Sex：女 Female
國籍 Nationality：英國 UK
獎助期間 Period for Grants：4個月
漢學研究中心獎助學人
研究期間：2007/1~2007/4
研究機構：Department of East Asian Languages and Cultures, School of Oriental and African Studies, University of London, UK 英國倫敦大學亞非學院東亞系
職稱：助理教授
研究主題：The Allure of Japan for Contemporary Taiwanese Culture臺灣文化東洋風之探討
研究專長：臺灣電影與小說研究、臺灣文化與文學研究、日本、當代中國
現職
研究機構：Chinese Studies, University of Oxford, UK
英國牛津大學東亞研究所
職稱：副教授
研究專長：當代中國文學、當代電影與劇場研究（臺灣與中國）、•Modern Chinese literature、•East Asian comparative literature、•Chinese-language cinema、•Modern Japanese literature、•Asian American literature and cinema
個人網頁：Margaret Hillenbrand
Margaret Hillenbrand
Curriculum Vitae
著作目錄(專書) Work catalog
- Margaret Hillenbrand. 2007. Literature, Modernity, and the Practice of Resistance: Japanese and Taiwanese Fiction, 1960-1990, Leiden: Brill Academic Publishers, 362 pp. ISBN 9004154787.
- •Literature, Modernity, and the Practice of Resistance: Japanese and Taiwanese Fiction, 1960-1990, Leiden: Brill Academic Publishers, 2007. 362 pp. ISBN 9004154787.
- [Chinese translation of pp.105-172: “Chongshen Meiguo baquan”, trans. Chang Yu-min, Tu Hsin-hsin, and Cheng Hui-wen, in Li Sher-shiueh (ed.), Yidi fanhua: haiwai Taiwan wenxue wenlun xuanyi, vol. 2, Taibei: National Taiwan University Press, 2012].
- •Documenting China: An Interpretive Reader in Seminal Twentieth-Century Texts (with Chloë Starr), Seattle: University of Washington Press, 2011. 240 pp. ISBN 0295991275.
- Negative Exposures: Knowing What Not to Know in Contemporary China, Durham, NC: Duke University Press, 2020. 320pp.
著作目錄(文章) Article catalog
- Margaret Hillenbrand. 2009. “Murakami Haruki in Greater China: Creative Responses and the Quest for Cosmopolitanism”, Journal of Asian Studies, 68/3 , 715-747.
- Margaret Hillenbrand. 2008. “Of Myths and Men: Better Luck Tomorrow and the Mainstreaming of Asian America Cinema”, Cinema Journal 47/4 , 50-75.
- Margaret Hillenbrand. 2008. “The Personals: Backward Glances, Knowing Looks, and the Voyeur Film” in Chris Berry (ed.), Chinese Films in Focus 2, London, British Film Institute, 175-81.
- Margaret Hillenbrand. 2007. “Doppelgängers, Misogyny, and the San Francisco System: the Occupation Narratives of Ôe Kenzaburô”, Journal of Japanese Studies, 33/2 , 383-414.
- Margaret Hillenbrand. 2006. “The National Allegory Revisited: Writing Private and Public in Contemporary Taiwan”, positions: east asia cultures critique, 14/3 , 633-662.
- Margaret Hillenbrand. 2005. “Trauma and the Politics of Identity: Form and Function in Narratives of the February 28th Incident”, Modern Chinese Literature and Culture 17/2 , 49-89.
- Voices of Empire in Dubliners and Taibenren / Margaret Hillenbrand
- “The Cliffhangers: Suicide Shows and the Aesthetics of Protest in China”, Cultural Politics 16/2 (2020),
- "Selling the Cryptosphere in China", Cultural Studies, forthcoming in 2020.
- "Ragpicking as Method", Prism: Theory and Modern Chinese Literature 16/2 (2019), in press.
- “Remaking Tank Man, in China”, Journal of Visual Culture 16/2 (2017): 127-166.
- “Letters of Penance: Writing America in Chinese and the Location of Chinese American Literature”, MELUS 38/3 (2013): 44-66.
- “Hero, Kurosawa, and a Cinema of Synaesthesia”, Screen 54/2 (2013): 127-151.
- “Chromatic Expressionism in Contemporary Chinese Cinemas”, Journal of Chinese Cinemas 6/3 (2012): 211-231.
- “Communitarianism, or, How to Build East Asian Theory”, Postcolonial Studies 13/4 (2010): 317-334.
- “Nostalgia, Place, and Making Peace with Modernity in East Asia”, Postcolonial Studies 13/4 (2010): 383-402.