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外籍學人基本資料
Christopher Lupke 陸敬思
性別 Sex:男 Male
國籍 Nationality:美國 USA
獎助期間 Period for Grants:6個月
Chair of East Asian Studies, Professor of Chinese Ph.D., Cornell University 1993
照片 Photo : 陸敬思 Christopher Lupke

漢學研究中心獎助學人

研究期間:2002/1~2002/6

研究機構:Washington State University,US美國華盛頓州立大學

職稱:助理教授

研究主題:Lilacs from the Dead Land: Modernity, Postcoloniality, and Diaspora in Chinese Literature, 1942-1995

研究專長:文學(臺灣現代文學)

現職

研究機構:The Department of East Asian Studies,University of Alberta,Canada

加拿大爾伯塔大學東亞研究系

職稱:教授

研究專長:中文教學法、電影與文化研究、臺灣現代文學、 Chinese literature, film and cultural studies

個人網頁:Christopher Lupke

著作目錄(專書) Work catalog
著作目錄(文章) Article catalog
  • Lupke, Christopher. “Public Inscriptions and Private Obsessions: Negotiating the Personal and Historical in Hou Hsiao-hsien.” Senses of Cinema: Great Directors Series. www.sensesofcinema.com. Forthcoming. (7942 words).
  • Lupke, Christopher. 2009. “Fractured Identities and Refracted Images: The Neither/Nor of National Imagination in Contemporary Taiwan.” Positions: east asia, cultures, critique 17.2: 243-259, Summer, 2009.
  • Lupke, Christopher. 2004. “The Muted Interstices of Testimony: A City of Sadness and the Predicament of Multiculturalism in Taiwan.” Asian Cinema 15.1: 5-36, April, 2004.
  • Lupke, Christopher. 2000. “Xia Ji’an’s (T. A. Hsia) Critical Bridge to Modernism in Taiwan.” The Journal of Modern Literature in Chinese 4.1: 35-63, July, 2000.
  • Lupke, Christopher. 1995. “Wang Wenxing and The “Loss” of China.” Boundary 2 25.3: 97-128. Rpt. in Rey Chow, ed. Modern Chinese Literary and Cultural Studies in the Age of Theory. Durham, NC: Duke University Press, pp. 127-158.
  • Lupke, Christopher. 1992. “(En)gendering the Nation in Bai Xianyong’s “Wandering in the Garden, Waking from a Dream.” Modern Chinese Literature 6.1 and 2: 157-177.
  • Lupke, Christopher. “Documenting Political Protest: The Gongliao Fourth Nuclear Power Plant and Dialogic Reflexivity.” In Sylvia Lin and Tze-Lan Sang, eds., Inscribing Taiwanese Documentary. Under review at University of Minnesota Press.
  • Lupke, Christopher. “Zhu Tianwen and the Sotto Voce of Feminine Expression in the Films of Hou Hsiao-hsien.” In Lingzhen Wang and Mary Ann Doane, eds. Engendering Cinema: Chinese Women Filmmakers Inside and Outside China. Columbia University Press. Accepted and Forthcoming.
  • Lupke, Christopher. “Peng Ge and the Literary Milieu in Post-War Taiwan.” In Christopher Lupke, ed. and tr. Setting Moon: A Novel by Peng Ge. (Approximately 26,860 words). In revision and expansion.
  • Lupke, Christopher. “The Capillaries of Power: Hierarchy and Servitude in The Story of the Stone.” In Andrew Schonebaum and Tina Lu, eds., Approaches to Teaching Story of the Stone. MLA Press. Accepted and Forthcoming.
  • Lupke, Christopher. “台灣歷史上一個社區的發展:分析李喬的《寒夜三部曲》” [The Historical Development of Community in Taiwan: Analyzing Li Qiao’s Wintry Night Trilogy.]. 姚榮松與鄭瑞明主編。《李喬文學與文化論述研究》 [Yao Rongsong and Zheng Ruiming, eds. Studies on the Literary and Culture Discourse of Li Qiao]. Taiwan Normal University Press, pp. 699-716.
  • Lupke, Christopher. 2008. “Toward a Chinese Lyrical Modernity” (Introduction). In Christopher Lupke, ed. New Approaches to Contemporary Chinese Poetry. Palgrave Macmillan, pp. 1-7.
  • Lupke, Christopher. 2008. “Zheng Chouyu and the Search for Voice in Contemporary Chinese Lyric Poetry.” In Christopher Lupke, ed. New Approaches to Contemporary Chinese Poetry. Palgrave Macmillan, pp. 29-46.
  • Lupke, Christopher. 2005. “台北想象景色的考古” [An Archeology of Imaginary Landscape in Taipei.]. In Liao, Xianhao, ed., Proceedings of the First Conference on Taipei-ology. Taipei City Bureau of Culture, Taipei, Taiwan.
  • Lupke, Christopher. 2005. “Diverse Modes of Ming: An Introduction.” In Christopher Lupke, ed. The Magnitude of Ming: Command, Allotment, and Fate in Chinese Culture. University of Hawai‘i Press, pp. 1-20.
  • Lupke, Christopher. 2005. “Divi/Nation: Modern Literary Representations of the Chinese Imagined Community.” In Christopher Lupke, ed. The Magnitude of Ming: Essays on Command, Allotment, Life and Fate in Chinese Culture. University of Hawai‘i Press, pp. 291-330.
  • 陸敬思。〈 白先勇〈 遊園驚夢〉的國族形成與性別定位〉。收錄於李奭學主編《異地繁花──海外臺灣文論選譯(上)》。台北:國立臺灣大學出版中心。
  • 2019. “National Myth and Global Aesthetics: Reading Yeats alongside Chinese Poetic Modernism.” In Paul Manfredi and Christopher Lupke, eds., Chinese Poetic Modernisms. Leiden and Boston: Brill Press, 209-334.
  • 2016. “Modernism and Nativism in Taiwan.” In David Der-Wei Wang, ed. A New History of Modern China. Cambridge, MA: Harvard University Press, 669-674.
  • 2016. “Cold War Fiction from Taiwan and the Modernists.” In Kirk Denton, ed. The Columbia Companion to Modern Chinese Literature. New York: Columbia University Press, 250-257.
  • 2016. “Nativism and Localism in Taiwanese Literature.” In Kirk Denton, ed. The Columbia Companion to Modern Chinese Literature. New York: Columbia University Press, 258-266.
  • 2016. “Chinese Literature.” Blackwell Encyclopedia of Postcolonial Studies. Blackwell Publishers.
  • 2013. “The Development of a Taiwanese Poet in the Diaspora: Yang Mu’s Prose Peregrinations Abroad.” Journal of Taiwan Literary Studies 16 (May): 251-281.
  • 2013. “Huang Chunming.” In Thomas Moran and Ye (Dianna) Xu, eds. Dictionary of Literary Biography: Chinese Fiction Writers, 1950-2000. Columbia, SC: Bruccoli Clark Layman, Inc., 100-110.
  • 2013. Chen Yingzhen. In Thomas Moran and Ye (Dianna) Xu, eds. Dictionary of Literary Biography: Chinese Fiction Writers, 1950-2000. Columbia, SC: Bruccoli Clark Layman, Inc., 36-46.
  • 2012. “The Capillaries of Power: Hierarchy and Servitude in The Story of the Stone.” In Andrew Schonebaum and Tina Lu, eds., Approaches to Teaching Story of the Stone. New York: MLA Press, 283-295.
  • 2012. “Documenting Environmental Protest: Taiwan’s Gongliao Fourth Nuclear Power Plant and the Cultural Politics of Dialogic Artifice.” In Sylvia Li-chun Lin and Tze-Lan D. Sang, eds. Documenting Taiwan on Film: Issues and Methods in New Documentaries. New York: Routledge Press, 274-292.
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