Jeremy Taylor 戴杰銘
性別 Sex：男 Male
國籍 Nationality：澳大利亞 Australia
獎助期間 Period for Grants：9個月
漢學研究中心獎助學人
研究期間：2001/1~2001/9
研究機構：The Australian National University澳洲國家大學
職稱：博士候選人
研究主題：The Rediscovery of late Ching Heritage in Kaohsiung
研究專長：歷史、文化
現職
研究機構：School of Contemporary Chinese Studies, University of Nottingham, UK
英國諾丁漢大學當代中國研究學院
職稱：副教授
研究專長：社會、文化史（臺灣冷戰宣傳）、文化史（福建文化研究）
個人網頁：Jeremy Taylor
著作目錄(專書) Work catalog
- Taylor, Jeremy. 2010. “QuJianghua: Disposing of and Re-appraising the remnants of Chiang Kai-shek's reign on Taiwan.” Journal of Contemporary History 45.1, January 2010, pp. 1-16.
- Taylor, Jeremy. 2009. “Being a 'Friend of Free China': W. G. Goddard in Nationalist Taiwan.” The Chinese Historical Review 16.2, Fall 2009, pp. 100-119
- Taylor, Jeremy. 2009. “’Our hometown; our cinema’: Nation, state and colony in the Amoy-dialect film industry of the 1950s.” Journal of Chinese Overseas 5.2, Nov 2009, pp. 235-256.
- Taylor, Jeremy. 2009. “The reluctant embassy: Establishing, maintaining and ending Australian diplomatic representation in Taipei, 1966-1972.” Asian Studies Review 33.2, June 2009, pp. 197-210.
- Taylor, Jeremy. 2009. “Discovering a Nationalist heritage in present-day Taiwan.” China Heritage Quarterly 17, March 2009.
- Taylor, Jeremy. 2008. “From transnationalism to nativism? The rise, decline and reinvention of a regional Hokkien entertainment industry.” Inter-Asia Cultural Studies 9.1, March 2008, pp. 62-81.
- Taylor, Jeremy. 2007. “Taipei’s ‘Britisher’: W.G. Goddard and the promotion of Nationalist China in the Cold-War Commonwealth.” New Zealand Journal of Asian Studies 9.2, December 2007, pp. 126-46.
- Taylor, Jeremy. 2006. “Recycling personality cults: observations of the reactions to Madame Chiang Kai-Shek’s death in Taiwan.” Totalitarian Movements and Political Religions 7.3, September 2006, pp. 347-363.
- Taylor, Jeremy. 2006. “The production of the Chiang Kai-shek personality cult, 1929-1975.” The China Quarterly 185, March 2006, pp. 96-110.
- Taylor, Jeremy. 2005. “Images of the hometown: the clash of city and village in Taiwanese popular songs.” Chime 16-17: 72-87.
- Taylor, Jeremy. 2004. “Colonial Takao: the making of a southern metropolis.” Urban History 31.1, May 2004, pp. 48-71.
- Taylor, Jeremy. 2003. “Nation, topography, and historiography: writing topographical histories in Hong Kong.” Modern Chinese Literature and Culture 15.2: 45-74.
- Taylor, Jeremy. 2003. “Reading colonial texts: some thoughts from Taipei.” Rethinking History 7.2, June 2003, pp. 235-241.
- Taylor, Jeremy. 2002. “The bund: littoral space of empire in the treaty ports of East Asia.” Social History 27.2, May 2002, pp. 125-142.
- Taylor, Jeremy. 2001. “Preserving the remnants of empire in Taiwan: the case of Hamaxing.” East Asian History 21, June 2001, pp. 143-164.
- Taylor, Jeremy. 2005. “Reading history through the built environment.” In John Makeham and A-chin Hsiau (eds), Cultural, Ethnic, and Political Nationalism in Taiwan: Bentuhua (New York: Palgrave Macmillan, 2005), pp. 159-183.
- Taylor, Jeremy. 2004. “Pop music as postcolonial nostalgia in contemporary Taiwan.” In Ned Rossiter and Allen Chun (eds), Refashioning pop music in Asia: Cosmopolitan Flows, Political Tempos and Aesthetic Industries. London: RoutledgeCurzon, pp. 173-182.
- Taylor, Jeremy. 2003. “Rome wasn’t built in a day: Zuoying and the discourse of civilization.” In Christina Neder (ed), Transformation! Innovation? Taiwan in its Cultural Dimensions. Wiesbaden: Harrasowitz, pp. 29-44.
- 2011. Rethinking transnational Chinese cinemas: the Amoy-dialect film industry in cold war Asia Routledge.
著作目錄(文章) Article catalog
- From Traitor to Martyr: Drawing lessons from the death and burial of Wang Jingwei, 1944 Journal of Chinese History. 3(1), 137-158
- 2019. 'Not a particularly happy expression': 'Malayanization' and the China threat in Britain's late-colonial Southeast Asian territories Journal of Asian Studies. 78(4), 789-808
- 2019. The 'occupied lens' in wartime China: Portrait photography in the service of Chinese 'collaboration', 1939–1945 History of Photography. 43(2), 1-24
- Oxford Bibliography of Chinese Studies: Chiang Kai-shek
- 2018. Lychees and Mirrors: Local opera, cinema, and Diaspora in the Chinese cultural Cold War Twentieth Century China. 43(2), 163-180
- 2016. Gendered Archetypes of Wartime Occupation: ‘New Women’ in Occupied North China, 1937-40 Gender & History. 28(3), 660-686
- 2015. Cartoons and Collaboration in Wartime China: The Mobilization of Chinese Cartoonists under Japanese Occupation Modern China. 41(4), 406-435
- 2015. Republican Personality Cults in Wartime China: Contradistinction and Collaboration Comparative Studies in Society and History. 57(3), 665-693
- (戴杰銘), 2014. 以圖像史料探究汪兆銘政權之政治文化 (Studying the political culture of the Wang Jingwei regime through visual sources): 從國史館館藏談起 (The Academia Historica Collections) 國史研究通訊 (Academia Historica Research Newsletter). 6, 140-148
- 2013. Chinese film exhibition in Occupied Manila (1942-1945) Modern Asian Studies. 47(5), 1588-1621
- 2013. The Sinification of Soviet Agitational Theatre: 'Living Newspapers' in Mao's China Journal of the British Association for Chinese Studies. 2, 27-50
- TAYLOR, J.E. and HUANG, G.C., 2012. Deep changes in interpretive currents?: Chiang Kai-shek studies in the post-Cold War era International Journal of Asian Studies. 9(1), 99-121
- (戴杰銘), 2012. 廈語電影業與菲律賓華僑 (The Amoy-dialect film industry and the Philippine Chinese). In: MAY NG, ed., 香港廈語電影訪蹤 (The traces of Hong Kong's Amoy-dialect films) Hong Kong Film Archive. 64-75