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外籍學人基本資料
Lucie Borotova 包捷
性別 Sex:女 Female
國籍 Nationality:捷克 Czech Republic
獎助期間 Period for Grants:4個月

照片 Photo : 包捷 Lucie Borotova

漢學研究中心獎助學人

研究期間:1997/1~1997/4

研究機構:Institute of East Asian Studies, Charles University, Prague捷克查理士大學東亞研究所

職稱:副教授

研究主題:19th and 20th Century Chinese Painting

研究專長:中國歷史、藝術研究

現職

研究機構:Center of Asian Studies, Faculty of Philosophy, Masaryk University, Czech Republic

捷克馬薩里克大學亞洲研究中心

職稱:副教授

個人網頁:Lucie Borotova

著作目錄(專書) Work catalog
著作目錄(文章) Article catalog
  • Olivová, Lucie. 1993. “Reporting the Unwanted: Chinese Press and the Coverage of the Czechoslovak Velvet Revolution.” In After the Event: Human Rights and Their Future in China, edited by Susan Whitfield. Wellsweep, London, pp. 91-100. (In English)
  • Olivová, Lucie. 1994. “A List of Seals by Qi Baishi, seen in the collection of National Gallery at Prague.” In O čínském výtvarném umění a vzdělanosti. [On Chinese Art and Erudition]. Edited by the Czech-Chinese Society. Published by Jůza Jůzová, Prague, pp. 36-38. (In Czech).
  • Olivová, Lucie. 1995. “The Development of Genre Painting in Guangdong in the Nineteenth Century.” In O čínské filosofii, literatuře a umění. [On Chinese Philosophy, Religion, and Art]. Edited by the Czech-Chinese Society. Published by Jůza Jůzová, Praha, pp. 43-50. (In Czech).
  • Olivová, Lucie. 1997. “On Tea-leaves Wrong Delivered, and on Originals Challenged.” In O kultuře čaje v Číně. [On the Tea Culture in China]. Published by the Czech-Chinese Society, Prague, pp. 43-49. In Czech; a study of a forged calligraphic series by Fu Shan.
  • Olivová, Lucie. 1998. Mistrovská díla asijského umění ze sbírek Národní galerie v Praze. [Masterpieces from the Asian Art Department, The National Gallery, Prague]. Edited by Ladislav Kesner. Published by the National Gallery at Prague. (In Czech).
  • Olivová, Lucie. 1998. “Storytelling in Yangzhou in the Eighteenth Century.” In The Eternal Storyteller. Edited by Vibeke Børdahl. Published by Curzon Press, London, pp. 197-209.
  • Olivová, Lucie. 1998. “Old Depictions of Storytellers. The Album of Paupers.” In The Eternal Storyteller. Edited by Vibeke Børdahl. Published by Curzon Press, London, pp. 45-52.
  • Olivová, Lucie. 2001. “The Heritage of the New Literati Painting.” In Contemporary Chinese Ink Painting: Tradition  Experiment. Published by the National Gallery, Prague, pp. 24-71, 79-88.
  • Olivová, Lucie. 2002. “Li Dou and Theatre: The Case of an Eighteenth Century Yangzhou Playwright.” In Chinese at Play: Festivals, Games and Leisure. Edited by Anders Hansson, Bonnie S. McDougall and Frances Weightman. Published by Paul Kegan, London, pp. 109-136.
  • Olivová, Lucie. 2002. “The Concepts of City Planning in Old China.” In Z myšlenek a představ Žluté země [From the Thoughts and Concepts of the Yellow Earth]. Edited by Iljuše Syrová. CD-Rom, Moravian Regional Museum, Brno, pp. 109-118. (In Czech).
  • Olivová, Lucie. 2004. Routledge Encyclopedia of Contemporary Chinese Culture. Edited by Edward Davis. Routledge and Curzon, London. (The entries written by L. Olivova: New Literati Movement; Lu Yushun; Tian Liming; Zhu Qizhan.)
  • Olivová, Lucie. 2003. “The Golden Age of Yangzhou: A Picture of the Eighteenth Century Upper Society.” In Plynutí času na Dlouhé řece [The Flow of Time on Changjiang]. Edited by Ida Vaňková. Published by Portál, Prague, pp. 99-116. (In Czech).
  • Olivová, Lucie. 2003. “Afterword.’ In: Yuan Mei.” What Confucius Wouldn’t Talk About. Published by Brody, Praha, pp. 203-218. (In Czech).
  • Olivová, Lucie. 2005. Čína z antropologické perspektivy [China Through the Anthropological View]. Josef Kolmaš and Jaroslav Malina, eds. Published by Masaryk University, Brno. (Lucie Olivová wrote chapters on Theatre, Storytelling, Ceramics, Calligraphy, Sculpture, Architecture; in Czech.)
  • Olivová, Lucie. 2008. “On the Imperial Collections of National Palace Museum, Taiwan.’] Acta Universitatis Palackianae Olomucensis, Facultas Philosophica, Orientalia I. Published by Palacky University, Olomouc, pp. 11-20. (In Czech).
  • Olivová, Lucie. 2008. “Images of Collectors in Eighteenth Century China.” In Autour des collections d’art en Chine au XVIIIè siècle. Hautes Etudes orientales, 44 -Extrême-Orient, 8. Actes édités par Michèle Pirazzoli-t'Serstevens et Anne Kerlan-Stephens. Published by Droz, Genève, pp. 167-200.
  • Olivová, Lucie. 2009. “The Sea Placid Like a Mirror – Taking an Austrian-Hungarian Cruiser to China and Japan.” In: Martin Slobodník, ed. Našinec v Oriente – Cestovatelia zo Slovenska a Čiech v Ázii a Afrike (19. stor. – I. pol. 20. stor.) [Czech & Slovak Travellers to Asia and Africa, 19th to the 1st half of the 20th centuries]. Published by Comenius University, Bratislava, pp. 177-197. (In Czech).
  • Olivová, Lucie. 2009. “Building History and the Preservation of Yangzhou.” In: Lucie Olivová and Vibeke Bordahl, eds. Life and Entertainment in Yangzhou. Published by NIAS Press, Copenhagen, pp. 3-36.
  • Olivová, Lucie. 2009. “Who Was Brother Castiglione? An Artist’s Merit and the Chinese Mission.’ In Miscellanea Jesuitica II. Published by Refugium, Olomouc. (In Czech).
  • Olivová, Lucie. 2009. “Ignaz Sichelbarth, Jesuit Painter at the Court of Qianlong.” In: Joanna Wasilewska, ed. Sztuka Chin. Published by Neriton, Warszawa, pp. 17-28. ISBN 978-83-7543-098-1.
  • Olivová, Lucie. 2010. “Animal Figures on Chinese Roofs.” In: Lucie Olivová a kol. Animal Myths and Mythical Animals. Published by Academia, Praha, pp. 85-95. (In Czech).
  • Olivová, Lucie. 2009. “The Trickster’s Face in Chinese Folklore and the Unbearable Heaviness of Ridicule].” In: L. Olivová, ed. The Trickster in Asian Popular Culture. Published by Palacky University Press, Olomouc, pp. 29-39.
  • Olivová, Lucie. 1994. “Report from Europe: Czech Republic.” Oriental Art Summer, pp. 57-60. (In English)
  • Olivová, Lucie. 1996. “Homage to Su Dongpo: A Painting by Wu Yun.” Oriental Art Winter 1996/97: 25-26. (In English).
  • Olivová, Lucie. 1995. “Protestant Missions in China.” Religio 3 (1995.2): 155-168. (In Czech).
  • Olivová, Lucie. 1997. “Twentieth Century Paintings at the Lee Kong Chien Museum, Singapore.” Oriental Art XLIII.4 (1997/8): 40-48. (In English).
  • Olivová, Lucie. 1998. “Bulage de dangdai Zhongguohua shoucang” 布拉格的當代中國畫收藏 [The Collections of Modern Chinese Painting in Prague]. Yishujia 藝術家 280 (1998.9): 338-345. (In Chinese).
  • Olivová, Lucie. 1998. “Bulage xiandai Zhongguo huihua shoucang” 布拉格現代中勾畫收藏 [The Collections of Modern Chinese Painting in Prague]. Mingpao Monthly 33 (August 1998.11): 64-68. (In Chinese).
  • Olivová, Lucie. 1998. “Storytelling in Yangzhou - Impressions from the 18th century book Yangzhou huafang lu.” CHIME 12/13 (Spring/Autumn 1998): 98-108. (In English).
  • Olivová, Lucie. 2000. “Our Generation Regards Art as Something Confused]: An interview with Xu Bing.” In Ateliér, 20/2000: 8. (In Czech).
  • Olivová, Lucie. 2001. “The Chinese Graphic Artist Xu Bing.” Nový orient 56 (2001.3): 91-95. (In Czech).
  • Olivová, Lucie. 2002. “The Story of the American Chinese, 1848 to 1906.” Fénix 3 (2002.1): 10-18. (In Czech).
  • Olivová, Lucie. 2001. “Reminiscences from the Pleasure Boats of Yangzhou: a Book about City.” In Acta Universitatis Carolinae - Philologica 1, Orientalia Pragensia XIV: 127-149.
  • Olivová, Lucie. 2002. “The Erotic Subject-Matter Seen in the Collection of Chinese Paintings, National Gallery at Prague.” Univerzitní noviny 9 (2002.9): 30-35. (In Czech).
  • Olivová, Lucie. 2002. “The Tibetan Printing House in Derge.” Nový Orient 57 (2002.9): 315-317. (In Czech).
  • Olivová, Lucie. 2003. “Tibetan Temples in the Forbidden City (An Architectural Introduction).” Archív Orientální 71 (2003.3): 409-432.
  • Olivová, Lucie. 2003. “Forgotten Bridges in Southern Hebei: Dulin qiao and Shan qiao.” Bulletin of Museum of Far Eastern Antiquities 75: 220-242.
  • Olivová, Lucie. 2004. “Mourning the Passing of Dana Kalvodová.” CHINOPERL Papers - Chinese Oral and Performing Literature 25: ix—xiv.
  • Olivová, Lucie. 2005. “The Golden Image of the Sacred Sala Tree.“ Nový Orient 61 (2005.2): 39-42. (In Czech).
  • Olivová, Lucie. 2005. „Taiwan wenxue zai Jieke 臺灣文學在捷克 [Taiwanese Literature in Czechia].“ Taiwan wenxueguan tongxun 臺灣文學舘通訊 8: 42-44. (In Chinese).
  • Olivová, Lucie. 2006. „Tobacco Smoking in Qing China.“ Asia Major, Third series 18, Part One: 225-260.
  • Olivová, Lucie. 2007. “The Vicissitudes of Chinese Imperial Art Collections.” Archív orientální 75 (2007.1): 93-104.
  • Olivová, Lucie. 2009. “Zhongguofeng zai Jieke: canguan Teluoya zhaidi li de bihua 中國風在捷克:參觀特洛亞宅邸裡的壁畫” [Chinoiseries in Bohemia: Troya Mansion´s Wall Paintings]. Yishuxue 藝術學 25 (2009.1): 197-222.
  • Olivová, Lucie. “A Map of the Chinese Imperial Summer Resort Discovered in a Czech Museum.’ Imago Mundi 62, Part 2: 232–238. ISSN 0308-5694.
  • Olivová, Lucie. 2009. “The Journey of Zdenek Sklenář.’ Nový Orient 64 (2009.3): 38-42. (In Czech).
  • Olivová, Lucie. 2010. “Maps, Landscapes and Flower Paintings: New Foundings from the Chinese Collection of the Náprstek Museum.” Annals of the Náprstek Museum 31: 55-74.
  • Honglou meng topic in popular prints. Dálný východ, Olomouc: Univerzita Palackého v Olomouci, 2014, roč. 4, č. 2, s. 156-165.
  • Editions and printings of Yangzhou huafang lu = 揚州畫舫錄 / 包捷(Lucie Olivovä)[撰]
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