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外籍學人基本資料
Yomi Braester 柏右銘
性別 Sex:男 Male
國籍 Nationality:以色列 Israel
獎助期間 Period for Grants:6個月
Adjunct Professor
照片 Photo : 柏右銘 Yomi Braester

漢學研究中心獎助學人

研究期間:1996/7~1996/12

研究機構:Yale University美國耶魯大學

職稱:博士候選人

研究主題:Writing Terror: Modern Chinese Fiction and the Paradoxes of Enlightenment

研究專長:文學(古代及當代文學理論)、文學(比較文學)

現職

研究機構:Department of Asian Languages & Literature, University of Washington,USA

美國華盛頓大學亞洲語言與文學系

職稱:教授

研究專長:中國當代文學、文學批評及藝術理論

個人網頁:Yomi Braester
Department of Asian Languages & Literature, University of Washington

著作目錄(專書) Work catalog
著作目錄(文章) Article catalog
  • Braester, Yomi. “From Urban Film to Urban Cinema: The Emergence of a Critical Concept.” In A Companion to Chinese Cinema, edited by Yingjin Zhang. Blackwell, forthcoming.
  • Braester, Yomi. “Excuse Me, Your Camera Is in My Face: Auteurial Intervention in PRC New Documentary.” In The New Chinese Documentary Film Movement: For the Public Record, edited by Lisa Rofel, Chris Berry and Lü Xinyu. Hong Kong University Press, forthcoming.
  • Braester, Yomi. 2010. “Photography at Tiananmen: Pictorial Frames, Spatial Borders, and Ideological Matrixes.” positions: east asia cultures critique 18.3 (Winter 2010).
  • Braester, Yomi. 2008. “In Search of History Point Zero: Stan Lai’s Drama and Taiwan’s Doubled Identities.” Journal of Contemporary China 17.57 (November 2008): 689-698.
  • Braester, Yomi. “The Political Campaign as Genre: Ideology and Iconography during the Seventeen Years Period.” Modern Languages Quarterly 69.1 (March 2008): 119-140.
  • Braester, Yomi. 2007. “The Impossible Task of Taipei Films.” In Cinema Taiwan: State of the Art, States of the Mind, edited by Darrel Davis and Robert Chen. Routledge, pp. 51-59.
  • Braester, Yomi. 2007. “Tracing the City's Scars: Demolition and the Documentary Impulse in New Urban Cinema.” In Zhen Zhang, ed., The Urban Generation: Chinese Cinema and Society at the Turn of the 21st Century, ed. Zhen Zhang. Duke UP, pp. 161-180.
  • Braester, Yomi. “‘A Big Dying Vat’: The Vilifying of Shanghai during the Good Eighth Company Campaign.” Modern China 31.4 (October 2005): 411-447.
  • Braester, Yomi. 2005. “Chinese Cinema in the Age of Commercials Advertisement: the Filmmaker as a Cultural Broker.” China Quarterly (September 2005): 549-564.
  • Braester, Yomi. 2005. “Longxugou—chengshi jingguan yu lishi jiyi” (Dragon Whiskers Creek: Urban Spectacle and Historical Memory). In Beijing: Dushi xiangxiang yu wenhua jiyi (Beijing: Urban imagination and cultural memory), eds. Chen Pingyuan and Wang Dewei. Beijing: Beijing daxue chubanshe, pp. 410-431.
  • Braester, Yomi. 2005. “Tales of a Porous City: Public Residences and Private Streets in Taipei Films.” In Contested Modernities in Chinese Literature, ed. Charles Laughlin. New York: Palgrave, pp. 157-170.
  • Braester, Yomi. 2004. “From Real Time to Virtual Reality: Chinese Cinema in the Internet Age.” Journal of Contemporary China 12.38: 89-104.
  • Braester, Yomi. 2003. “Farewell My Concubine: National Myth and Personal Memories.” In Chinese Films in Focus: 25 New Takes, ed. Chris Berry. London: British Film Institute, pp. 89-96.
  • Braester, Yomi. 2003. “'If We Could Remember Everything, We Would Be Able to Fly': Taipei's Cinematic Poetics of Demolition.” Modern Chinese Literature and Culture 15.1 (Spring 2003).
  • Braester, Yomi. 2002. “The Future of China's Memories: An Interview with Feng Jicai.” Journal of Modern Literature in Chinese 5.2 (January 2002): 131-48 (with Enhua Zhang).
  • Braester, Yomi. 2001. “Memory at a Standstill: Street-Smart History in Jiang Wen's In the Heat of the Sun.” Screen 42.4 (winter 2001): 350-362.
  • Braester, Yomi. “Revolution and Revulsion: Ideology, Monstrosity and Phantasmagoria in Ma-Xu Weibang's Film Song at Midnight.” Modern Chinese Literature and Culture 12: 1 (Spring 2000): 81-114.
  • Braester, Yomi. “Taiwan rentong yu jiyi de weiji: Jiang hou de shenqi gushi” (Taiwanese Identity and the Crisis of Memory: Post-Chiang Mystery). In Liu Jihui, ed., Duanlie yu yanxu: Taiwan wutai shang wenhua jiyi de zhanyan (Disruption and continuity: the development of cultural memory on the Taiwan stage). Taipei: Maitian.
  • Braester, Yomi. 1995. “Shanghai's Economy of the Spectacle: The Shanghai Race Club in Liu Na'ou's and Mu Shiying's Stories.” Modern Chinese Literature 9:1 (Spring 1995): 39-57.
  • 2013. The architecture of Utopia : from Rem Koolhaas’ scale models to RMB City
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