Main Block Area
Foreign scholars personal information
Nancy Guy 蓋南希
Sex:Female 女
Nationality:USA 美國
Period for Grants:3個月

CCS Grant


Instituion: Department of Music, University of California, San Diego美國加州大學聖地牙哥分校音樂系

Topic:Western Art Music Performance and Education in Mid-20th Century Taiwan: A View from the Studio of the "Mother of Taiwan Violin Education"二十世紀中葉的臺灣西方藝術音樂表演與教育:從”臺灣小提琴教母”工作室來看


Instituion: Department of Music, University of California, San Diego



Work catalog
Article catalog
  • "Flowing down Taiwan's Tamsui River: Towards an Ecomusicology of the Environmental Imagination." Ethnomusicology 53(2):218-248
  • "Feeling a Shared History through Song: 'A Flower in the Rainy Night' as a Key Cultural Symbol in Taiwan." TDR: The Drama Review 52(4):64-81
  • "'Republic of China National Anthem' on Taiwan: One Anthem, One Performance, Multiple Realities." Ethnomusicology 46(1):96-119
  • "Brokering Glory for the Chinese Nation: Peking Opera's 1930 American Tour." Comparative Drama 35 (3,4):377-392
  • "How does 'Made in Taiwan' Sound?: Popular Music and Strategizing the Sounds of a Multicultural Nation." Perfect Beat: The Pacific Journal of Research into Contemporary Music and Popular Culture 5(3):1-17
  • "Performing Taiwan: Music, Dance, and Spectacle in the Celebration of President Chen Shui-bian's Inauguration." ACMR Reports 13:21-50
  • "Governing the Arts, Governing the State: Peking Opera and Political Authority in Taiwan." Ethnomusicology 43(3): 508-526
  • "Writing about Chinese Opera (Xiqu) in English: One Hundred Flowers Bloom, One Hundred Terms Contend." ACMR Reports 11: 89-94
  • "Peking Opera as 'National Opera' in Taiwan: What's in a Name?" Asian Theatre Journal 12(1): 85-103. Reprinted with minor updates in ACMR Reports 11 (1998): 67-87
  • "The Appreciation of Peking Opera: A Reply to Ching-Hsi Perng." Asian Theatre Journal 7(2): 254-259
  • "Fieldwork, Ownership, and Exploitation: Lessons from Taiwan." Tongyang Umak [Journal of the Asian Music Research Institute, Seoul National University] 23:77-87
  • "Guding Jiepai Erhuang Banshide Qudiao Wendingxing yu Kebianxing" [An Examination of Melodic Stability and Variability in the Metered Erhuang Banshi]. Hai Zhen, translator. Zhongguo Yishu Yanjiuyuan Yanjiushengbu [Academic Journal Graduate School the Academy of Arts of China, Beijing], 113-119, 40
  • "Garbage Truck Music and Sustainability in Contemporary Taiwan: From Cockroaches to Beethoven and Beyond." In Cultural Sustainabilities: Music, Media, Language, and Advocacy, edited by Timothy Cooley. University of Illinois Press
  • "Popular Music as a Barometer of Political Change: Evidence from Taiwan." The [Oxford] Handbook of Music Censorship, edited by Patricia Hall. New York: Oxford University Press
  • "Trafficking in Taiwan Aboriginal Voices Revisited." In Reading Chinese Music and Beyond, edited by Joys H. Y. Cheung and King Chung Wong. Hong Kong: Chinese Civilisation Centre, City University of Hong Kong
  • "Brokering Glory for the Chinese Nation: Mei Lanfang's 1930 American Tour." In Mei Lanfang, China's King of Actors: A Sourcebook, selected and edited by Min Tian. Lewiston, NY: The Edwin Mellen Press
  • "Trafficking in Taiwan Aboriginal Voices." In Handle with Care: Ownership and Control of Ethnographic Materials, edited by Sjoerd R. Jaarsma, 195-210. Pittsburgh: University of Pittsburgh Press